Series Teaser · Someone in This Office is Printing Too Much Paper
Something bad is happening in this office. The printers are warm.
Actor, writer, producer, and editor. Eight years of Chicago improv, now making comedy for brands and for the fun of it in LA.
I trained at The Second City and iO Chicago and spent eight years performing improv across Chicago's comedy scene before moving west. These days I split my time between performing and producing: I've written, directed, and produced short comedic films and sketch content, and co-created a branded docu-series where I served as principal talent, writer, and producer.
Background in improv, moving toward film and TV. If it's funny, I want to be involved in it, ideally in front of the camera, happily behind it too.
Before the camera work, nearly a decade of client and account leadership in B2B SaaS. The two halves aren't separate: it's why the creative work runs on real client management discipline. Full background on the Experience page, or download my resume.
Performance work: characters, sketch, and the docu-series where I play far too many people.
See performances →Campaigns and comedy spots I wrote, directed, and produced from concept through delivery.
See the credits →Cutting comedy is its own craft. Work where I was behind the timeline, shaping the joke in post.
See the cuts →An 11-episode true crime comedy mockumentary I co-created and star in, playing multiple characters across the series. A CEO, an office, and far too much paper. Highlights below, or watch the full series on YouTube.
Something bad is happening in this office. The printers are warm.
Where it all begins.
The finale. Justice, of a kind, is served.
Short-form sketches co-written, co-produced, and performed for Anvil, many built with AI-generated imagery and video for shots that can't be filmed live. Published across YouTube Shorts, TikTok, and Instagram Reels.
CHAIRMO, short-form.
Music videos, street interviews, and reaction pieces where I'm on camera and also cut the final edit. Published across YouTube Shorts, TikTok, and Instagram Reels.
Music video, cut from real-camera shoot footage.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Comedic sketch video.
Short comedic film.
Short comedic film.
A $30K connected-TV campaign, produced with a 17+ person cast and crew. Broadcast-style :30 spots and companion sketches.
Thirty-second broadcast-style spot for Anvil.
Thirty-second broadcast-style spot for Anvil.
Everything on this page was developed from the ground up with the team at WOAH Labs: concept, script, casting, production, and creative direction through post. The body of work spans an 11-episode mockumentary series, launch-film parodies, ongoing campaigns, and the sketch shorts further down.
True crime comedy mockumentary, co-created from concept through post. Full series and episode highlights on the On Camera page.
A pitch-perfect parody of a certain tech company's launch films. It's a fork.
The world's first self-driving office chair. Would you buy one?
Uber just launched benches in 30 cities worldwide. (It did not.)
The follow-up launch film. This time, it's paper.
Thirty-second broadcast-style spot for Anvil.
Thirty-second broadcast-style spot for Anvil.
Man-on-the-street companion piece to the Uber Bench stunt.
The emotional tone of a mandatory team-building exercise, captured precisely.
Concept-to-post shorts, co-written and co-produced, many built with AI-generated imagery and video for scene elements that can't be filmed live.
CHAIRMO, short-form.
An ongoing fake music campaign fronted by Rebecca, who starts a band to give early-2000s technology the dramatic goodbye it never got: power ballads for dial-up, corded phones, AIM away messages, and Tamagotchis, all played completely straight. It's Anvil's farewell to old ways of working with documents, staged as a nostalgia act, with the music sold sideways through Hot Ones, WIRED Autocomplete, lie detector, and prank call promo formats.
Branded social and digital content. Developed and produced multiple campaigns spanning AI-generated image content, influencer-style meme videos, man-on-the-street interviews, and a nostalgic boy band series.
Short-form branded comedic docu-series, co-created from concept through post: writing, producing, casting, and performing.
Eighteen pieces cut from raw footage to final delivery in Premiere Pro: music videos from real-camera shoots, multi-source street interviews, and reaction and nostalgia formats. Published across YouTube Shorts, TikTok, and Instagram Reels.
Music video, cut from real-camera shoot footage.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Street interview.
Edited the story cuts on episodes 3 through 7 of the mockumentary series: assembled the footage, structured each episode's narrative, and delivered rough cuts for finishing.
Client strategist and account lead with nine years across B2B SaaS account management and creative production. Eight years owning enterprise and mid-market client relationships end to end, now a year in running both the client relationship and the content itself.
I spent eight years in B2B SaaS learning how to own a client relationship: implementations, renewals, escalations, the contract cycles nobody enjoys, and the trust that comes from being the person who picks up the phone. It was good work and I was good at it. It also wasn't the work I wanted to be doing forever.
So at the end of 2024 I left a stable corporate track to pursue the creative work I'd been doing on the side for years, and went in headfirst with WOAH. A year later I run both the client relationship and the content itself for a software company's entire social presence: strategy, production, performing, and editing from raw footage to delivered cut.
The two halves turn out to be the same job. Clients want someone who understands what they're paying for and can also make it. That's the combination I've built.
Run the full client relationship for Anvil, a document automation software company: creative presentation, campaign strategy decks, performance reporting, and day-to-day account management. Own content strategy across TikTok, Instagram Reels, YouTube Shorts, and YouTube long-form. Wrote and produced a $30K connected-TV campaign with a 17+ person cast and crew. Edit short-form social content in Premiere Pro from raw footage to final delivered cut.
HR tech and benefits consulting. Solely owned a 25,000+ employee enterprise client representing ~$500K in annual revenue as strategic lead for all benefits administration initiatives. Turned around a high-risk relationship, retained the account, and upsold services generating $30K+ in new annual revenue.
Self-funded health insurance startup. Managed a portfolio of 60+ mid-market partner relationships representing $1.5M+ in annual recurring revenue, from point of sale through renewals. Owned implementation and onboarding end to end, bringing on 5–10 new groups per month, and ran in-depth quarterly business reviews.
SaaS benefits administration platform. Three promotions in five years. As Senior Account Manager, lead consultant for ~7 large-market Channel Partner accounts (peaked at 10) representing $2M+ in annual recurring revenue, handling implementations, billing, contracts, and redline cycles between internal and external legal teams.
Trained at The Second City and iO Chicago; performed in ensemble runs and one-offs across Chicago's comedy scene from 2016 to 2019.
Improvisation, sketch writing, directing, producing, video editing (Premiere Pro), voice acting, accents, comedic timing, basic guitar, yoga instruction, social media content creation.